CHANG 张怡 | 纽约皇后美术馆个展闭幕在即 Solo show @QMA closing soon PATTY-MABSOCIETY
展览现场图 Installation view
“游移湖，2009 - 2017”
The Wandering Lake, 2009 - 2017
展期 / Duration：2017.09.17 - 2018.03.05
地点 / Venue：纽约皇后美术馆 Queens Museum, New York
张怡（Patty Chang）于纽约皇后美术馆的个展“游移湖：2009 - 2017”即将于下月2018年3月5日闭幕。在近半年的展览期间陈布达，许多媒体例如纽约时报、ARTFORUM艺术论坛、Hyperallergic、ART PAPERS、纽约日报、COBOSOCIAL等均评论报道了张怡此次大规模个展媚婚 。在展览接近尾声的最后这个月里，由亚洲艺术文献库（Art Asia Archive）主办，张怡将与皇后美术馆展览部总监兼此次展览的策展人Hitomi Iwasaki于2月17日在皇后美术馆举办艺术家导览及对谈，讲述她的研究与艺术创作，以及随展览发行的艺术家书《游移湖》。
Patty Chang's solo exhibition at Queens Museum New York will close on March 3. The exhibition has received high-quality reviews on media such as The New York Times, ARTFORUM,叶云凤 Hyperallergic俊美夫妇, ART PAPERS何建泽 , NYR Daily, COBOSOCIAL and so on. In association with Art Asia Archive, Patty will lead a guided tour of the exhibiton on Februray 17, followed by a discussion with the Director of Exhibitions and curator Hitomi Iwasaki on her practice, research, and theartist’s book published in conjunctionwith the show.
纽约时报 The New York Times
“在这个迄今为止艺术家最为大型的个展上，张怡（生于旧金山，现工作于洛杉矶）向观众展示了一个跨学科的综合呈现黄培陪，以众多新近创作重构了艺术家早年间对于身份认知及其游移边界的研究。于皇后美术馆的此次展览“游移湖2009-2017”将焦点从艺术家的身体上转移开来，投射到了一个不断迁移的水体上，并借此隐喻性别流动性和以太网热潮乃至气候变化和人类移居等议题，整体呈现引人入胜且感人至深。由Hitomi Iwasaki策划，展览谈及了一名孩子的诞生和一位父亲的逝去，以及更多全球性的消亡——语言、文化乃至参与塑造了这些内容的地理特征。物质以及精神层面上的不稳定性是贯穿整个展览的主题——这个主题虽然时而难以捉摸，却始终强大有力——除此以外，还有跨越了作品之间界限的意义。”
"For this eagerly awaited exhibition, her largest todate, Ms. Chang (who was born in San Francisco and works in Los Angeles) has created an integrated, multidisciplinary installation of mostly new work that reframes her early investigations of identity and its straying boundaries. Engrossing and deeply moving, “The Wandering Lake 2009-2017,” at the Queens Museum刘学周 , mostly shifts attention away from the artist’s body, relying on moving water as a metaphor for concerns ranging from gender fluidity and internet surfing to climate change and migration. Curated by Hitomi Iwasaki, the show touches on a child’s birth and a father’s death, as well as more global losses — of languages, cultures and even the geographical features that shape them. A running theme, sometimes elusive but potent nonetheless, is material and psychological instability, and meaning that spills the boundaries of individual works. "
——《纽约时报》The New York Times
Hyperallergic
“张怡从不同性质的“失去”（例如父亲的过世、前苏联灌溉工程所导致的咸海萎缩等）中勾描出联想式的平行空间，使整个项目变得更为发散而神秘。这些内容上的跳跃某称程度上也参与构成了整个项目最大的优势。多样的研究资料、艺术媒介、概念及情感的记录等多个方面共同构成了“游移湖”这个项目，使张怡得以更进一步地以一种个人化、政治化的角度探究人类活动的变化。这一方式与当下生态学的先锋理论相一致，如作家Timothy Morton和Jane Bennett，均强调了世界各地文化与生态系统的内在联系。张怡的创作内容跨越了不同的地域、主题、方法与规模，由此她创造出了一个复杂多层的美学生态系统。在这个系统中，即使存在极大的差异，各类元素仍共存于一个统一的连续体中。”
"The associative parallel that Chang draws between different types of loss – such as her father’s passing and the fact that Soviet irrigation has caused 80% of the Aral Sea to dry up – contributes to the project’s scattered and mysterious quality. But such leaps also account for some of the project’s greatest strengths. The variety of research sources, artistic medium, and conceptual and emotional registers encompassed inThe Wandering Lakeallows Chang to plumb the depths of Anthropocenic change in ways at once personal and political. This approach is of a piece with the vanguard of ecological theory, in which writers such as Timothy Morton and Jane Bennett emphasize the interconnectedness of the world’s cultural and biological systems. Chang’s leaps across geography, theme, method and scale create a complex and layered aesthetic ecosystem whose diverse elements exist on a continuum withone another, even at their most seemingly disparate."
—— Hyperallergic
纽约日报 NYR Daily
“展览中张怡（Patty Chang）将自己塑造成一位世界探险家。然而不同于过往冒险者通常带有的标签：欧洲、男性、殖民者，张怡是谦卑的，且因自己的发现而哀伤。她以其独特的方式，始终将自己对这些地点的记录与一种内在的私人体验相联结，引领我们一同进入她的探险旅途。为避免将这些情景浪漫化，她在作品中加入了露骨的身体行为，这些内容可能有些令人厌恶甚至作呕。但正是通过这种方式，她得以传达出自己在全球各地目睹环境受到破坏时的恐惧与惊慌，也希望通过她的作品，观众亦能感受到同样的心碎文国庆。”
“Throughout this exhibition, Chang casts herself as a global explorer, but in contrast to adventurers of the past – male, European, colonialist – she is humbled and saddened by her discoveries. We are drawn into her journey by her method of always connecting her documentation of these sites to a visceral personal experience. Resisting the tendency to romanticize these locales, she incorporates explicit body functions that may be off-putting or even nauseating. But by doing so, she is able to convey her horror at the destruction she is sighting all over the planet, a finding that she hopes we too will find heartbreaking. ”
——COBOSOCIAL
艺术论坛 ARTFORUM
继是次个展之后顶点钓鱼灯 ，BANK将于2018年纽约军械库艺博会展位F11呈现张怡个人项目，展示《游移湖》这个浩瀚项目的部分作品，包括了装置、影片及摄影作品国家燃烧。敬请期待更多消息。
In continuation of the show, BANK will present Patty Chang's solo project at the Armory Show 2018Booth F11 opening on March 7 in New York, to showcase selected works form the extensive Wandering Lake project. Stay tuned for more information.
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